Lloyd Evans Lloyd Evans

As gripping as an Agatha Christie thriller: Shooting Hedda Gabler, at the Rose Theatre, reviewed

Plus: Eliza's transformation is magnificent but there's a lack of warmth to Higgins in the Old Vic's new Pygmalion

Antonia Thomas as Hedda, Christian Rubeck as tyrannical auteur Henrik and Matilda Bailes (right) as therapist/intimacy co-ordinator Thea in Shooting Hedda Gabler. Credit: Andy Paradise 
issue 14 October 2023

The unlovely Rose Theatre in Kingston is a modest three-storey eyesore. The concrete foyer looks like an exercise area on a North Sea oil platform, and the auditorium itself is a whitewashed rotunda that resembles the chapel in a newly built prison. Yet this cheerless, functional space is perfect for a mischievous new satire, Shooting Hedda Gabler, about recent developments in the acting trade.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in