Say ‘Rossetti’ to most people, and you will get back ‘Dante Gabriel’, or ‘Christina’, or perhaps a description of paintings of exotically beflowered, heavy-jawed women. It is impossible to imagine that anyone will respond with, ‘Of course, William Michael’, much less ‘Lucy Madox’. Angela Thirlwell, in her passionately argued double biography, wants to bring Dante Gabriel’s little brother and his wife out of the wings and into the spotlight.
William Michael Rossetti’s main claim to fame was as aid and support to both his feckless, ultimately chloral-sodden brother and his retiring, home-loving sister. He left school at 15 to work for the Board of the Inland Revenue, initially as a correspondence clerk, for the last 25 years of his career as Assistant Secretary in the Excise Section. In the evenings he became ‘Gabriel’s editor, proof-reader, Italian linguistic adviser, moneylender, protector, supporter, mediator, confidant, memorialiser and general gofer’.
A shy man, William found an entrée into the world of art and artists he so admired when his brother, with Holman Hunt and Millais, founded the Pre-Raphaelite Brotherhood.
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