Here is the latest Book End column from this week's issue of the Spectator:
Much of Stephen King’s recent work has been relatively lighthearted, but in Full Dark, No Stars
returns with gusto to his dark side and explores the perils of getting what you ask for. The first and longest of these four novellas, ‘1922’, is a murderer’s confession: a farmer
describes murdering his wife in Nebraska just after the first world war and the unexpected consequences that gradually destroy his life. It’s stark and compelling, and should be avoided at
all costs by readers with a phobia of rats. In ‘Big Driver’, an author of cosy crime novels is raped and left for dead. She sets out to look for revenge, finds rather more than she
expected, and develops an unusual relationship with her SatNav. ‘Fair Extension’ is a variant on the Faust theme. A bank official is dying of cancer. ‘Mr Elvid’ offers him a
life extension in return for 15 per cent of his income and the transference of his bad luck to his best friend. ‘A Good Marriage’ explores how a woman deals with the discovery that her
much-cherished husband is a serial killer.
King has a unique talent for gothic fables about contemporary America. As he notes in his afterword, these uncomfortably readable stories are about ordinary people put in extraordinary situations.
The elements of horror and fantasy are all the more effective as they spring from the plausible stresses that afflict his characters in their humdrum, beautifully observed lives. God is in the
detail — and in this case the devil is lurking there as well.