The Spectator

Books of the Year: the best and most overrated of 2015

Among regular reviewers choosing their favourite books are Ferdinand Mount, Jan Morris, A.N. Wilson, Paul Johnson, Mary Beard, Jonathan Sumption and A.S. Byatt

issue 14 November 2015

Anna Aslanyan

 
My top title of the year is Satin Island by Tom McCarthy (Cape, £16.99), convincing proof that the best writers of our time are anthropologists, and that James Joyce, were he alive today, would be working for Google. I also enjoyed Ben Lerner’s 10:04 (Granta, £14.99), a self-deconstructing novel whose metafictional plot speaks of the nature of time and of things being endlessly interconnected. My non-fiction pick is Iain Sinclair’s London Overground: A Day’s Walk Around the Ginger Line (Hamish Hamilton, £16.99), the psychogeographer’s passionate take on 21st-century London, a place of perpetual change and chronological resonances.

For the most overrated books of the year, see the ‘hatchet issue’ of the London Review of Books (24 September), featuring reviews of Purity by Jonathan Franzen (Fourth Estate, £20) and A Little Life by Hanya Yanagihara (Picador, £16.99).

Michela Wrong

 
The highlight for me this year was the South African writer Jonny Steinberg’s A Man of Good Hope (Cape, £18.99), hugely topical at a time when Europe is contemplating what it means to be a refugee. I’ve repeatedly found myself recommending it to friends. Steinberg is a novelist camouflaging himself as a non-fiction writer, and his story of Somali tradesman Asad’s meandering journey across Africa — from the clan violence of Mogadishu via the slums of Nairobi and Addis Ababa to the townships of Cape Town and their vindictive, xenophobic attacks — is extraordinarily poignant. A real-life picaresque tale, it doesn’t contain a single dull sentence.

Shame (Weidenfeld, £14.99), a second novel by Melanie Finn, deserved more recognition than it received. The story of a young woman who exiles herself to a remote village in Tanzania after an accidental killing in Switzerland, only to be tracked down by a former neighbour bent on revenge, it’s both disturbing and ultimately uplifting. Her Africa is one I recognise, neither sentimental nor sensationalised.

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