As the boundary between auction house and art dealer blurs yet further, with auctioneers acting increasingly by private treaty as well as taking over commercial galleries, and as West End gallery space becomes ever more expensive, alternative exhibiting venues are being sought with growing urgency. One solution is to move further into corporate territory, and Charles Hadcock (born 1965) is currently doing just that with an exhibition of his latest sculptures in the foyer of 60 Threadneedle Street in the City.
Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in