Daughters of Troy

In the past few years there has been a flourishing of literary responses to the Trojan war. To mention a few: Barry Unsworth’s elegant The Songs of the Kings enhanced the narrative with psychological flair; Alice Oswald’s beautifully distilled Memorial brought a disquieting focus on to the deaths of lesser heroes, as well as the electric beauty of the Homeric similes drawn from the natural world; and last year’s The Silence of the Girls by Pat Barker, which successfully imagined the Iliad with Agamemnon’s slave-girl as the narrator. Natalie Haynes, with A Thousand Ships, a retelling of the war and the stories around it, has entered a crowded field.

Haynes’s central premise is that heroism is vested as much in women as in men. When Menelaus loses Helen, he creates ‘countless widows, orphans and slaves’, whereas Oenone, the wife of Paris, ‘loses her husband and she raises their son. Which of those is the more heroic act?’ It’s a multi-faceted question, and  myriad female voices are brought to bear in the attempt to answer it.

There is a neat structure. Haynes posits a peeved Calliope receiving invocations from, we assume, Homer. ‘How much epic poetry does the world really need?’ she muses (if you will forgive the pun). Intercut with Calliope’s commentary are the women’s stories she conjures to the poet’s unwilling mind. The major strand concerns the fate of Hecuba, Queen of Troy, bitter yet regal, as she and her few remaining daughters mourn in the shadow of their burning city, waiting to be parcelled out to the conquering Greeks.

The war began with the sacrificial murder of Agamemnon’s daughter Iphigenia, and the terrible end of Priam’s daughter, little Polyxena, slaughtered for the hungry ghost of Achilles, reminds us that this glorious myth is bookended by the murders of two defenceless young princesses.