The first two volumes of Mervyn Peake’s Gormenghast trilogy were published in 1946 and 1950, but by 1954, when I was first alerted to them by a school-friend, Peake had entered what his first biographer John Watney called ‘a doldrum period’. Overtaken by a wave of younger writers — Kingsley Amis, John Osborne et al — with more obvious contemporary relevance, Peake was beginning to suffer the first symptoms of the Parkinson’s disease that killed him in 1968 at the age of 47.

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