‘I do not think we do our children any favours by pretending that slavery didn’t exist,’ wrote Royal Academy of Dramatic Art chair Marcus Ryder, in a blog about the newly remade Disney adaptation of Hans Christian Andersen’s fairytale The Little Mermaid. ‘Setting the fantastical story in this time and place is literally the equivalent of setting a love story between Jew and Gentile in 1940 Germany and ignoring the Jewish holocaust,’ he wrote.’
Kara Kennedy
Everyone needs to calm down about The Little Mermaid

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