Rupert Christiansen

Exhilarating: English National Ballet triple bill, at Sadler’s Wells, reviewed

Plus: there's much to enjoy in the one-night-only Men in Motion, a bran tub of classics, rarities and novelties curated by Ivan Putrov

The terrific Emily Suzuki in Mats Ek's new Rite of Spring, the climax to ENB's triple bill. Photo: © Laurent Liotardo
  • Comments

  • Ek/Forsythe/Quagebeur

    Sadler’s Wells

  • Men in Motion

    London Coliseum

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Manfred Manera

Why were Germany’s Covid files redacted?

From the magazine
There are two kinds of long Covid. One is a medical syndrome, the other manifests as a healthy obsession – an urge to shed light on what happened during the pandemic crisis. Too many questions remain unanswered: why did Sweden come out of the pandemic better than other countries without having endured a lockdown? Why

Also in Arts Reviews

Also by Rupert Christiansen

Latest

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in