From gloom to dispair

In little more than a decade, the cosy world of Anglo-American crime fiction has been transformed by wave after wave of Scandinavian invaders. Some, like Steig Larsson, are suddenly parachuted into the bestseller lists almost before we have had time to become aware of their existence. Others, like Iceland’s Arnaldur Indridason and Norway’s Karin Fossum, advance steadily but less dramatically in terms of sales and critical plaudits.