Until this book was published, Gabriel Matzneff was a respectable man. The French author may have written about his affairs with young girls and his travels to the Philippines in search of pre-pubescent boys — insert Gallic shrug here — but he still won literary prizes and enjoyed a state stipend. He was celebrated by the chattering classes, who said little when he brought different adolescent girls as his plus one to interviews.
Little V, or V sometimes, was one of those girls. She had slipped in and out of his autofiction for decades. In Consent, her memoir, Vanessa Springora returns the favour and refers to him by his initial. She first met G. at a dinner party in 1986. She was 13, dragged along by her single mother who worked in publishing. He was the guest of honour. He was over 50.
The grooming process she describes was both assiduous and unoriginal. He sent her letters for weeks (her mother was likely to answer the telephone). He started to bump into her in her neighbourhood. He organised a meeting outdoors, then told her that he had afternoon tea ready at his flat. By the second date she thought she was ready to lose her virginity. She had only just turned 14.
Vanessa first met Matzneff at a dinner party. She was 13, dragged along by her single mother. He was over 50
More than a decade before, Matzneff had written what was really a playbook for paedophiles (reprinted as late as 2005). Springora describes how she furnished him with the perfect victim. Her parents were divorced and she was precocious, book- smart, insecure about her looks and hungry for attention — quite ordinary, in other words. Jane Eyre is loved by so many teenage girls for a reason.
‘Consent’, Springora points out, has two meanings.

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