Ariane Bankes

Hannah Höch – from Dada firebrand to poet of collage

The first UK survey of Höch's works on paper brings some welcome surprises

‘Untitled (From an Ethnographic Museum)’, 1930, by Hannah Höch [Getty Images/Shutterstock/iStock/Alamy] 
issue 01 March 2014

I suspect I am not alone in finding it surprising to encounter at the close of this exhibition an unexpected Hannah Höch — a gently spoken elderly lady filmed wandering among the overgrown flowers in her garden, talking of beauty. A far cry from the radical firebrand and Dada collagiste of interwar Berlin whose works epitomised the edgy fragmentation of Weimar life and culture.

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