Patrick Flanery

Hope against hope

Jimfish, Christopher Hope’s caustic new satire on South Africa, has a surprisingly upbeat finale — but Patrick Flanery is unconvinced

A sign common in Johannesburg in 1956 (Photo: Getty) 
issue 16 May 2015

At the eye of apartheid South Africa’s storm of insanities was a mania for categorisation. Everything belonged in its place, among its own kind, as if compartments for scientific specimens had been laid out across the land. Or, as Christopher Hope puts it in his caustic new satire, people were ‘corralled in separate ethnic enclosures, colour-coded for ease of identification’.

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