‘I don’t suppose the war will leave any of us alone by the time it’s done,’ prophesied one of the characters in the new series of Downton Abbey. Oh, dear, I’m sure she’s right. So I wonder which will be the character who comes back with shellshock, which one with no legs, and which one a hero.
For the last, I’m guessing Matthew Crawley, the worthy but slightly dull heir to the worthy but slightly dull Earldom of Grantham. That would be nice: then, after many travails and obstacles, cold, aloof (but really quite hot) Lady Mary will get to realise in the final episode that, yes, of course, he was the man for her all along. At the big wedding the redoubtable Dowager Countess (Maggie Smith) will say something very funny and acerbic. And everyone will laugh through their tears of joy and say how Sunday nights just won’t be the same without Downton.
In an alternative, bolder universe, it’s possible they’re showing a Downton which works out differently. Perhaps Crawley gets his penis shot off at Passchendaele, creating serious issues over the inheritance, till the handsome Irish chauffeur offers to stand in for his Lordship on the wedding night, causing serious ructions with Lady Sybil shortly before her hideous and moving death from a fever contracted from one of her patients. But not in this universe, I don’t think. And you can’t really blame Julian Fellowes for this. Comfort and predictability is what people want from their Sunday evening dramas.
Comfort and predictability is what they’re going to get — as you could tell from, say, the Somme scene where the stretcher-bearer is standing taking a breather and talking about how, if there’s a bullet with your name on it, there’s nothing you can do.

Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in