‘We hate the system and we want the system to pay us to say we hate the system.’ The oratorio of subsidised theatre rises, in triumphant blast, at the Royal Court whose current empress Vicky Featherstone has chosen to direct an interesting new play by Zinnie Harris. I’d call it a quasi-symbolist extraterrestrial tragicomic chicklit road-movie spoof with Chomsky-esque anti-corporate neo-collectivist socioeconomic textual underpinning but I fear this may lend it a clarity of purpose, and a firmness of character, which it doesn’t quite possess.

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in