As words commonly used to write about the visual arts become increasingly useful to advertisers, ‘to curate’ is becoming the synonym du jour for ‘to choose’. For David Balzer however, this shift in language reflects a shift in behaviour. ‘Now that we “curate” even lunch, what happens to the role of the connoisseur in contemporary culture?’ Curationism asks.

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in