It’s as if James Joyce was writing for radio, as if he understood the potential of the new audio technology long before the BBC had begun to broadcast plays and poetry. All that freakish literary invention in his 1922 novel Ulysses suddenly begins to make sense when heard on air, spoken out loud, with sound effects to tell us where we are.
Kate Chisholm
Comments
Don't miss out
Join the conversation with other Spectator readers. Subscribe to leave a comment.
UNLOCK ACCESSAlready a subscriber? Log in