Theo Hobson Theo Hobson

In search of disorganised religion

Theo Hobson attends Grace, an alternative Christian service in west London, and finds it arty, irreverent, postmodern — and full of people seeking a new way to worship

issue 29 May 2010

Theo Hobson attends Grace, an alternative Christian service in west London, and finds it arty, irreverent, postmodern — and full of people seeking a new way to worship

I went to church last weekend. Sort of. It was a Saturday evening service run by a group of laypeople in an Anglican church in Ealing. It’s a monthly event called Grace. What sort of people attend? Quite trendy ones. People who are a bit too trendy for normal church. The sort who know how to link a computer up to sound and visual equipment. No grannies, no kids.

Soft club music pulsed as I entered, and a big screen showed an art installation: furniture made of neon strips. In the middle of the pewless nave were a couple of sofas, a table and chairs, and a fridge; round the edges were some beanbags. I sat on one. This month’s theme was Home.

A youngish man (an ageing youth?) called Johnny welcomed us (there were 30 or 40 of us). He had a laid-back, unchurchy tone, like a bloke among his mates. He explained that the service was centred on the parable of the Prodigal Son. Then there was a brief chanted liturgy, during which a teenager rapped some prayers which I think he had written himself. We then heard a recording of a moody religious song by an Irish singer whose name escaped me.

The distinctive thing about this sort of worship style is that it likes inventing mini-rituals. Ritual is perhaps too strong a word. Some of us, prompted by the website, had brought along photographs that summed up ‘home’ to us. We stuck these on the fridge. Those who had forgotten photos wrote messages. Later on, there were four ‘stations’ to choose from, in each corner of the nave.

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