A.L. Kennedy is a very remarkable writer. And her new novel — the first since Day won the Costa prize in 2007 — is a remarkable book. What is really extraordinary about it is that at one level it is a pretty trite love story with dark secrets to be revealed and lots of reflection on truth and lies and how the past lingers on and affects the present — bog-standard stuff. The basic set-up is somewhat improbable, and (as always with Kennedy) somewhat elliptical, even evasive.
Elizabeth, the protagonist, is crossing the Atlantic on a cruise ship with her boyfriend who may or may not be planning to marry her. Also on the ship, by design it transpires, is her ex-lover who is an internationally famous medium and with whom she worked in the past on what she has come to see as a massive con act. Luckily for her, Derek, the worthy present partner, is hideously sea-sick, allowing her to re-involve herself with Arthur and her own memories.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in