James Womack

Into the woods

His 500-page novel The Overstory carries a sobering message. But a pithy essay might have been equally persuasive

issue 05 May 2018

This is a novel about trees, written in the shape of a tree (eight introductory background chapters, called ‘Roots’; a ‘Trunk’; a ‘Crown’; some ‘Seeds’), and which unashamedly references every tree you might half-remember, from Eden to Auden (‘A culture is no better than its woods’). It revolves around various efforts to save trees, whether by seedbanks or political activism, and details the ways in which its group of protagonists becomes radicalised and willing to put their lives on the line, or even kill, to save the few remaining patches of old forest in the USA.

One of these protagonists, Olivia, turns towards the forest when she has a near-death experience and starts to sense the spirit of the trees calling to her. Another one, Douglas, ends up Unabomber-ing away in a ghost town in the woods. Towards the end of the novel, a third protagonist, Nick, known for much of the novel by his ‘forest name’ of ‘Watchman’, starts to make a large-scale piece of earth art out of various fallen trunks and branches.

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