Dotted about the house is the occasional sporting print. Flash, bang, wallop, what a photograph! At the top of our staircase is Herbert Fishwick’s imperishable study at Sydney in 1928 of Hammond’s pluperfect cover-drive -— coiled power, poise, omnipotence, and with the famous blue handkerchief peeping from his pocket. Among the family snaps and sepia descendants on the walls of the downstairs cloakroom is Neil Leifer’s bespoke, breathtaking birdseye shot of Cleveland Williams canvas-flattened by Ali at Houston in 1966, a memorable Neil Libbert evocation of that golden afternoon at Wembley in the same year, and a Patrick Eager 1/500th-of-a-second...

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