Lloyd Evans Lloyd Evans

London calling | 10 August 2017

Trumpageddon has a great title but little else; Alison Skilbeck offers pure Joyce Grenfell; and at the Pleasance a riveting portrait of literary mentorship

issue 12 August 2017

What is the Edinburgh Fringe? It’s a sabbatical, a pit stop, a pause-and-check-the-map opportunity for actors who don’t quite know where to go next. Alison Skilbeck has written a ‘serio-comic celebration’ of Shakespeare and her performance attracts a decent crowd for a show that starts at noon. She plays a fruity-voiced thesp, Artemis Turret, who delivers lectures about the Bard’s older females to groups of layabout pensioners gathered in a scout hut. It’s pure Joyce Grenfell. Good fun, too, but without much potential beyond the fringe.

Dominic Holland’s show, Eclipsed, is about his life as a fallen comedy god. In the 1990s he was on telly all the time and he accepted the royal command to perform at Prince Charles’s 50th birthday party. Now 50 himself, Holland is treading water. Or, as he puts it, ‘I’m at the free fringe doing a show which I introduce with the words, “Good afternoon”.’

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