Sathnam Sanghera, in his family memoir The Boy with the Topknot, heaped much largely affectionate contempt and ridicule on his home town (now a city) Wolverhampton, with its shabby factories and shimmering new gurdwaras — ‘Wolverhampton, the arse of the Black Country, in itself the bumcrack of the West Midlands, in itself the backside of Britain’.
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