Francis King

Master of the merry-go-round

issue 05 April 2003

Sprawling, teeming with people and flooded with an almost malevolent brilliance, this book is the literary equivalent of some vast conurbation. As with a conurbation, it is difficult to identify the heart – and heart here means not merely centre but humanity. Trapped, as in one of Mark Gertler’s most famous pictures, on a constantly accelerating roundabout, the characters all seem to be in imminent danger of being hurled into oblivion by the centrifugal force of a powerfully churning imagination.

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