Alongside his distinguished career as a painter, Howard Hodgkin has also long been a collector of note. As a schoolboy at Eton he was given to bouts of running away but while briefly in situ his art master, Wilfrid Blunt (the brother of Anthony), borrowed a 17th-century Indian painting of a chameleon from the Royal Collection to enliven a lesson and Hodgkin was hooked. He started buying Indian pictures then and has continued ever since.
‘My collection has nothing to do with art history,’ he says. ‘It is entirely to do with the arbitrary inclinations of one person.’ It is a method that has, nevertheless, resulted in one of the world’s great collections of Indian art. Hodgkin has made several attempts to stop buying more but he’s a recidivist, not least because ‘a professional artist sells what he makes. Buying art fills the void that comes as each work leaves the studio.’

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in