Deborah Ross

O brother, where are thou?

At no point does any character own their behaviour in any consistent or recognisably human way in this turgid and baffling film

issue 01 June 2019

Sunset is French-Hungarian writer-director Laszlo Nemes’s follow-up to his astonishing Oscar-winning debut, Son of Saul. This time round the film is set as the Austro-Hungarian Empire is on the brink of collapse, and it is confounding, but not in a good way, as it’s as turgid as it is baffling.

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