Louis Amis

Only connect | 30 November 2017

James Earl Ray’s story and the author’s own are loosely connected in Antonio Muñoz Molina’s Like a Fading Shadow

This newly translated novel by the Spanish writer Antonio Muñoz Molina is really two books, spliced together in alternating chapters. One is a deeply researched account of the squalid peregrinations of James Earl Ray, who spent two months on the run after murdering Martin Luther King, Jr., in 1968. The other is a memoir charting the gradual attainment of personal and professional happiness on the part of the author himself.

The reader feels confident that both protagonists will eventually arrive at their historically appointed destinies: handcuffs at Heathrow airport for Ray; a career as a celebrated author for Muñoz Molina. But considerable suspense surrounds the question of what on earth these two stories will have to do with each other. The mystery only deepens as the crux of the book is revealed to be the bland coincidence that both men, at different times, travelled to Lisbon.

Lisbon, then, is the main setting. Ray is there blundering in and out of flophouses and trying to find passage to Africa, where he hopes to continue his career of shooting at black people as a mercenary in colonial wars. Muñoz Molina first visits in 1987 to find the backdrop for what would be his breakthrough novel. He is also committing offences against his first marriage. The two men drink in would-be similar bars. They also read distantly related stuff. Muñoz Molina likes the metaphysical detective stories of Borges and the existentialist noir of Juan Carlos Onetti; Ray pores over spy novels ‘where the brand of everything the characters carry or use is detailed’ (as well as autohypnosis manuals, and the adverts in Life magazine). They are both living in fantasy worlds, with ‘that delirious belief… that real life was elsewhere, that imagination is richer and more powerful than reality.

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