Rupert Christiansen

Pam Tanowitz is the real deal: Secret Things/Everyone Keeps Me, at the Linbury Theatre, reviewed

Plus: Acosta Danza is full of beautiful creatures and variable dancing

Artists of the Royal Ballet, in gorgeously coloured Greek chitons with greaves round the ankles, performing Secret Things by Pam Tanowitz. Credit: Alice Pennefather/Roh

Civilisation has never nurtured more than a handful of front-rank choreographers within any one generation, with the undesirable result that the chosen few end up excessively in demand, careering around the globe and overworking, delegating or repeating themselves. Please can someone up there ensure that Pam Tanowitz doesn’t suffer such a fate.

Already a subscriber? Log in

Keep reading with a free trial

Get your first month free when you subscribe. After that it’s just £1 a week for full website and app access. There’s no commitment, you can cancel any time.

Offer ends in: ${days} days ${hours} hrs ${minutes} mins ${seconds} secs
Or

Unlock more articles

REGISTER

Comments

Flash sale:
10 weeks of unlimited digital access for £1

Join the conversation with other Spectator readers. Subscribe to leave a comment.

Get 10 weeks of online and app access for just £1. That's a saving of more than 80% off the usual rate.

Already a subscriber? Log in