Lloyd Evans Lloyd Evans

Partners in crime | 29 November 2018

Plus: a portrait of Marlene Dietrich at Wilton’s Music Hall that might have been better if a woman had had a hand in the script

issue 01 December 2018

I know nothing about Patricia Highsmith. The acclaimed American author wrote the kind of Sunday-night crime thrillers that put me to sleep. Her best-known creation, the suave psychopath Thomas Ripley, has spawned a number of films that I’ve carefully avoided. But ignorance is an ideal starting point for Switzerland, by Joanna Murray-Smith, a brilliantly nasty comedy that features Highsmith in 1995 when she was past her artistic best.

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