In which Robert Macfarlane goes for a walk, again. But, as admirers of his previous works will know, Robert Macfarlane never just goes for a walk. This book’s four parts, each divided into three or four sub-sections, tell the stories of 16 expeditions: their declared intention to investigate ‘walking as a reconnoitre inwards’. His theme is the way that walking can be not just the occasion for thought but, in some sense, the method by which it is done; the way in which our experience of ourselves is shaped by moving through a landscape:
Landscape is still often understood as a noun connoting fixity, scenery, an immobile painterly decorum. I prefer to think of the word as a noun containing a hidden verb: landscape scapes, it is dynamic and commotion-causing, it sculpts and shapes us not only over the courses of our lives but also instant by instant, incident by incident. I prefer to take ‘landscape’ as a collective term for the temperature and pressure of the air, the fall of light and its rebounds, the textures and surfaces of rock, soil and building, the sounds (cricket-screech, bird cry, wind through trees), the scents (pine resin, hot stone, crushed thyme) and the uncountable other transitory phenomena and atmospheres that together comprise the bristling presence of a particular place at a particular moment.
Here is a book by a writer who, above almost everything else, and most valuably, is an enthusiast about what it means to put one foot in front of the other.
The ‘old ways’ of Macfarlane’s title are old paths — which is to say, habitual human accommodations with weather and geology and with previous travellers. His concern is to get inside what paths are for, what they have meant, and how they endure even when invisible to the Ordnance Survey.

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