David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American Buffalo, from the 1970s, is one of Mamet’s early triumphs. Don is a junkshop owner who believes a customer cheated him over a rare nickel so he gets his young pal Bob to steal it back.

Pinter without the bus routes
Plus: another dud from the National, Carol Ann Duffy’s Everyman. Is Rufus Norris the David Moyes of theatre?

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