On first opening a new Proms prospectus, the enthusiastic amateur immediately looks for the things that are there, the things that are not there and, a mixture of the two, the things he hopes will be there. What I hope for every year goes roughly like this: the Berlin and Vienna Philharmonics (yes to both); a big operatic production (two this time, one each from the Royal Opera and ENO); one or two Really Famous (and preferably Really Old) artists (Barenboim, Boulez, Dutoit, Gergiev, Haitink, Perahia); some big anniversaries to be celebrated (Debussy, Delius, Cage, Knussen and Goehr — a...

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