This year’s London Handel Festival got under way, as usual, with an opera production at the Royal College of Music’s Britten Theatre. Imeneo, a late opera of Handel, is unusual in several respects. While it is concerned with amorous intrigue and frustration, there is no dynastic or other political dimension, a welcome change, and one that results in the work’s lasting only two hours.
Michael Tanner
Reason over passion

Comments
Don't miss out
Join the conversation with other Spectator readers. Subscribe to leave a comment.
UNLOCK ACCESSAlready a subscriber? Log in