Martin Gayford

Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably

And there are too few truly exceptional pieces from the Flemish master for this show to shine

The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons. One — not much of a surprise — is that Peter Paul Rubens (1577–1640) was a protean giant of a painter, expending sufficient artistic invention and energy to power other artists for centuries to come.

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