Barry Humphries

Slovenia Notebook

issue 24 September 2011

Last week I headed to Maribor in Slovenia for a music festival featuring the Australian Chamber Orchestra under the directorship of maestro Richard Tognetti, the virtuoso violinist. I even briefly performed a couple of Edith Sitwell poems to music by William Walton, but my efforts were at the beginning and end of a long programme featuring the New York avant-garde of the Sixties, including a work by John Cage which contained a long movement of complete silence disturbed only by the sound of the audience leaving.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.

Comments

Join the debate, free for a month

Be part of the conversation with other Spectator readers by getting your first month free.

Already a subscriber? Log in