Frank McDonald Autumn has come and summer dreams are dead And though she compensates with golden trees Beyond her kind deceit death lies ahead.
She wears a smile and moves with gentle tread And yet her tone will change as time decrees; Autumn has come and summer dreams are dead.
Too soon her transient beauty will be shed And withered blooms will disappoint her bees. Beyond her kind deceit death lies ahead.
Apologies in fruit are brightly spread But still we hear in every gossip breeze Autumn has come and summer dreams are dead.
Although she dances, beautiful in red, Doing her best to pacify and please Beyond her kind deceit death lies ahead.
We never welcomed autumn to our bed But she arrived to titillate and tease. Autumn has come and summer dreams are dead. Beyond her kind deceit death lies ahead.
Max Ross It’s hard to write an autumn villanelle On mists and gourds, maturing sun and grain. Perhaps an ode will serve me just as well.
Late flowers and vines and bees in clammy cell Bring nothing to poor Keats’s fevered brain. It’s hard to write an autumn villanelle.
On lambs loud-bleating there’s a tale to tell In lines that flow, all free of any pain. Perhaps an ode would serve me just as well.
My heart aches for I cannot weave a spell With this strange form. I emphasise again: It’s hard to write an autumn villanelle.
A cider press and plumped-up hazel shell Would make a thing of beauty, it is plain. Perhaps an ode would serve me just as well.
Let all this repetition go to hell; If I attempt much more I’ll go insane. It’s hard to write an autumn villanelle Perhaps. An ode will serve me just as well.
Ralph Rochester Trust not this joker in his gaudy clothes. He steals the daylight and he cools the sun. He kills the lily and he blights the rose.
Storms are his claim to fame. He blasts and blows and robs the mariner of all he’s won. Trust not this joker in his gaudy clothes.
He strips the green from ev’ry tree that grows and paints the garden brown and when he’s done he kills the lily and he blights the rose.
Insolent spoiler, see him thumb his nose and drown a country wedding — not just one! Trust not this joker in his gaudy clothes.
He fills the skies with seagulls and with crows and bids the swallows flee, the hedgehogs run. He kills the lily and he blights the rose.
He breathes his chill on fingers as on toes and pockets all he finds of summer fun. Trust not this joker in his gaudy clothes. He kills the lily and he blights the rose.
Philip Roe This is the time to learn that men grow old. We hear a farewell in the swallows’ call As summer’s warmth gives way to winter’s cold.
The fields are bare as all the crops are polled And only stumps remain of what was tall This is the time to learn that men grow old. The trees are covered up in greasy mould And sprout unsightly tumours filled with gall As summer’s warmth gives way to winter’s cold.
The leaves, so lately buds, grow rich with gold. Weighed down, they shrivel, petrify and fall. This is the time to learn that men grow old.
The shops remove their decent goods unsold And Christmas chintz adorns the shopping mall As summer’s warmth gives way to winter’s cold.
And things that never will be done are told As empty phrases fill the conference hall. This is the time to learn that men grow old As summer’s warmth gives way to winter’s cold.
John Whitworth Bright day declines. Long shadows grow Across etiolated grass. It is the season of the crow.
Tall forests murmur to and fro. Their yellowing leaves are sick and sparse. Bright day declines. Long shadows grow
Stinkhorns and polypores below In the abandoned underpass. It is the season of the crow.
The mood is lowering indigo. Thick fogs descend like clouded glass. Bright day declines. Long shadows grow.
Your steps are faltering and slow, For fear of falling on your arse. It is the season of the crow.
Our dream of summer’s golden glow Has dwindled to an age of brass. Bright day declines. Long shadows grow. It is the season of the crow.
Your next challenge is to submit a poem in praise or dispraise of a well-known building. Please email entries of up to 16 lines to lucy@spectator.co.uk by midday on 5 November.
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