Bill Greenwell When it retro in Metroland, it dub in da suburbs, It priceless in Ruislip, yo wid fish dish en croute, Or hab dinner in Pinner, or grub where dey rub herbs On da chicken in brick, wid inscrutable fruit —
And it retro in Metroland, it da Buckingham ducks Yo wid sleek glossy beaks on da pond over yonder, Or Amersham ham, or da chukka wid pucks Wid da ladies down from Hurlingham, Amanda and Wanda —
Now it retro in Metroland, where dey nurture da birches, Where da half-timbered limber up, joshin at squash, Or brood over roods yo and purchasin old churches, And da chuffas hit da buffas, and da posh hab da dosh —
Yo it retro in Metroland where da kudos house be Tudor, And da bitches wear da britches, wid a racquet dey smack it, And dey all be good in Chorleywood, and da dudes be ruder, Wid respect fo architecture, wid a packet yo can hack it.
D.A. Prince He da fox, urban fox, he da streety-meety fox wi’ da paws ‘n’ da snout, he da findy-findy-out, he na prince, he da man, he da Can! I-Can! I-Can! He na king, he na queen, ha da man da runs da scene.
Ain’t na pike, wi’ na mic, stuffed-up body no one like, pike na looking out for uvvers, pike da takes out all da bruvvers, pike na even get da chips, fish wi’ teeth inside da lips, ain’t na pike. Like a bike, slides da streets da way he like.
Ain’t na hawk, ain’t na squawk staying stiller than da stork, snooty-tooty in da sky, haughty-flaunty it on high, keep-like-this, keep-like-this, biggy birdie take da piss, ain’t no hawk. Got a walk, trots the snappy snazzy talk.
He da fox, w’i da stink, ha da loadsa loadsa think, ha da man wi’ da mind, he da poet-show-it kind, he da one when ya blink puts da foxy in da ink, he da fox, he da rhyme, he da biggest-biggest time.
Adrian Fry I’m Colley Cibber, I aint no fibber, A dramaturge with the urge To rhyme like an ad-libber. Because uneducated I get slated, berated By Pope and other folk Who think they’re elevated But, bro, they should call me that Cos Colley’s Poet Laureate. Another fact: I can act: It’s how I max my rap’s impact. You shoulda seen ’em When I was under the proscenium, They was tight packed, attention rapt. Theirs or yours, I don’t need no applause Nor bling: I got a patron in Da King.
Peter Goulding In da crib, she gives a shudder, dis fine shortie hawks da brudder, tinks he is a gangsta mudda. Yo, she baggin Lancelot. Down she swagga to the water wid some sticky and a quarter, den dis juiced an jiggy daughter bounces down to Camelot.
Down she floats throughout the hood, ridin dirty, shhmokin good, an dey cross demselves in blood, da wide-eyed crew from Camelot. But Lancelot, da pimp on duty busts a grape about her beauty, says, ‘She has a bad-ass bootie, dis hottie from Shallot.’
Hilary Mantel’s Tudor trilogy rehabilitates Thomas Cromwell. Your next challenge is to provide a scene in which a well-known villain from history or literature (please specify) is shown in a more kindly light. Email entries of up to 150 words to lucy@spectator.co.uk by midday on 31 December.
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