Wadjda is the first feature-length film to come out of Saudi Arabia, and was shot by the country’s first female director – but those aren’t the only things that are great about it, says Deborah Ross. It’s also ‘fascinating, involving, moving, and an entirely excellent film in its own right’. The story might be simple, but it’s the glimpses of how life might be for a woman living in Saudi Arabia make it ‘wonderful’.
Deborah’s second film this week is the The World’s End, an attempt to be humorous that despite its cast (which includes Martin Freeman, Rosamund Pike and Simon Pegg) is completely unfunny, and ‘just boring’. Even the zombies fail to make it more exciting…
Radio 4’s Book at Bedtime used to be the place where you could take your brain to relax, wind-down and escape, says Kate Chisholm. But in recent months, books that ‘would sit better in the morning as Book of the Week’, such as John le Carré’s latest, have been ‘foisted upon us’.
Britain’s best politics newsletters
You get two free articles each week when you sign up to The Spectator’s emails.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in