Arcade Fire’s third album The Suburbs is in a long, glorious tradition of pop lyricism inspired by everyday life, writes Christopher Howse
Arcade Fire’s first album Funeral was not about a funeral. But, goodness, when we saw Régine Chassagne hammering away at her keyboard in red elbow-gloves with her husband Win Butler singing one of its tracks, ‘Power Out’, on Jools Holland’s show in 2005, we sat up and knew something had changed.

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