Edward Seckerson

Sweeney Todd, ENO, review: blunt and bloody

Sweeney Todd
English National Opera, in rep until 9 April

A wicked deception is sprung in the opening moments of this New York-originated concert staging of Stephen Sondheim and Hugh Wheeler’s Sweeney Todd. The English National Opera orchestra, liberated from the pit, is duly assembled on stage at the London Coliseum; flower arrangements and a Steinway grand add to the formality, and right on cue the conductor and cast, suitably attired in evening wear and with scores in hand, take their places behind a line of music stands.

Already a subscriber? Log in

Keep reading with a free trial

Get your first month free when you subscribe. After that it’s just £1 a week for full website and app access. There’s no commitment, you can cancel any time.

Offer ends in: ${days} days ${hours} hrs ${minutes} mins ${seconds} secs
Or

Unlock more articles

REGISTER

Comments

Ends tonight:
10 weeks of unlimited digital access for £1

Join the conversation with other Spectator readers. Subscribe to leave a comment.

Get 10 weeks of online and app access for just £1. That's a saving of more than 80% off the usual rate.

Already a subscriber? Log in