Taki Taki

Taki: The morality of karate

No drugs involved. Photograph: Orlando/Hulton Archive 
issue 27 July 2013

 Thun

‘Mokusoo!’ All 200 of us already on our knees and sitting on our heels in the Japanese ‘seiza’ position remain dead silent at the command. No loud breathing, no movement whatsoever, just ‘mizu no kokoro’, a calm mind, like the surface of undisturbed water. ‘Kaimoku’, the next command, signals the end of inner contemplation, followed by ‘Shomini rey’, where we all touch our foreheads to the ground saluting the father of karate. ‘Sensei ni rey’, is the last command uttered by the senior karateka, which happens to be me, saluting the instructors. Then it’s time for ‘tsuki no kokoro’, a mind like the moon, that refers to the need to be constantly aware of the opponent’s movements, just as moonlight shines equally on everything within its range. In 48 years of practising karate I don’t think I’ve had a more satisfying week. There were none of those freaks covered in tattoos, muscle-bound, hairless-pated hominids attuned to their inner ape that pass as tough guys on TV and the so-called ultimate fighting. Just some very strong and dedicated amateur and professional karatekas from all over the world — some as far away as Japan, Canada and California — all here in Switzerland to live the Steve Ubl experience, one I highly recommend for aspiring martial artists no matter how high their grade. (I am a seven dan black belt, and feel like a novice next to him.) The other is Richard Amos, my teacher, who is based in New York and was a member of the British karate team back in 1983, when during the world championships in Cairo our paths crossed. I was captain of the Greek team and lost the fifth and deciding match against Britain, to get into the quarters, making my decision to retire after that an easy one.
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