Michael Hann

The horror of London’s music venues

What use is an auditorium like Here at Outernet where a large chunk of the punters can’t even see the stage?

Amaarae – whose album Fountain Baby was one of last year's best – performing at Here at Outernet. Photo: Burak Cingi / Redferns

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in