Jasper Rees

The horse and his boy

Andrew Haigh’s third feature is an exercise in remorseless Hardyesque sadism

issue 05 May 2018

Andrew Haigh makes inaction films. Weekend (2011) tells of two young homosexuals getting to know each other in Nottingham. In the wintry marital drama 45 Years (2015) two old heterosexuals get to unknow each other in Norfolk. The canvases are miniature, the resonances crevasse-deep. His third film, Lean on Pete, brings a change of scene and scope.

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