We are congratulating ourselves and the royal family on overcoming prejudice by welcoming Meghan Markle’s engagement to Prince Harry. But in fact this welcome is cost-free: Ms Markle’s combination of Hollywood, mixed ethnicity, divorced parents, being divorced herself and being older than her fiancé ticks almost every modern box. It was harder, surely, for Kate Middleton. She was simply middle-class, Home Counties, white, and with no marital past — all media negatives. Her mother was a former flight assistant. People made snobby jokes about ‘cabin doors to manual’. There was nothing ‘edgy’ about Kate that could be romanticised. Luckily, she is also beautiful, sensible and cheerful, and politely concealed her successful struggle to gain the respect due to the bourgeoisie. This must have required quiet courage. For similar reasons, Malia Obama’s reported love for Rory Farquharson, despite his crippling disadvantage of having been head boy of Rugby, is a bolder assault on the barriers of prejudice than is our acceptance of the future Princess Meghan.
‘Industrial strategy’ must be added to this column’s collection of phrases which automatically lower the spirits. Others include ‘replacement bus service’, ‘all the toys’ and ‘smart casual’. There is literally no need for any government to have one — what industrial strategy built Silicon Valley? — and it is literally impossible to remember, when one has been announced, what it is. (If you doubt me, try reading Greg Clark’s ‘Our vision to make Britain fit for the future’ in Tuesday’s Daily Telegraph.) Its sole raison d’être is presentational: it is (sadly) considered better to claim you have a plan than to explain why you don’t. So the highest true praise for any industrial strategy is that it will make no difference. On that basis, this latest one is quite good.
Like most people, we loved the new Bridge Theatre set up by Nick Hytner, but were a bit puzzled by its opening play Young Marx.

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