Lilian Pizzichini

The sweet life turns sour

Two new books show how the vibrant cinema of postwar Italy was disastrously tainted by Wilma Montesi’s mysterious death

issue 01 April 2017

Shawn Levy specialises in chronicling 20th-century hotspots such as London in the Sixties and Sinatra’s Vegas. Here, he turns his attention to the regeneration of post-war Rome.

How did the Eternal City erase the memory of its defeat? The answer is as layered as a Cassata cake. The sponge is the commitment that saw new film-makers bringing the struggling proletariat to the screen; the cannoli cream is the cultural flowering that emerged; the rum syrup the intoxicating beauty of frankly erotic leading ladies; and the whipped froth on top the frenzy of the new media stars, the paparazzi.

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