Laura Gascoigne

Thoroughly unsettling, never simplistic: Mike Nelson – Extinction Beckons, at the Hayward Gallery, reviewed

Many choices confront the curious Alice who dares to plunge down this rabbit hole

One of the many unsettling rabbit holes of ‘The Deliverance and The Patience’, 2001, by Mike Nelson. Credit: Liam Harrison. Courtesy the artist and the Hayward Gallery

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in