James Lasdun is my favourite ‘should be famous’ writer, his work extraordinarily taut and compelling. His eye-boggling psychological thrillers are understated, yet perspicacious and hilarious.
By ‘psychological thriller’ I don’t mean they contain newsworthy physical violence. Lasdun is too English for that (although he now lives in New York). I mean the kind of dilemmas that would have your average, settled individual writhing in empathetic angst: secrets and lies in a kaleidoscope; knuckles-in-mouth mortification.
Unwittingly (because he started them before the furore), Lasdun has written two...

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