Lloyd Evans Lloyd Evans

Trouble at home

The Almeida relishes its specialist status. The boss, Michael Attenborough, isn’t keen on celebrity casting because he wants ‘the theatre to be the star’. It’s a niche operation for purists and connoisseurs, for seekers and searchers, and for those who can spell Verfremdungseffekt without having to check (as I just had to) what the penultimate letter is. We’re privileged to have a theatre in London that wants to raise the bar rather than the bar prices.

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Kara Kennedy

Wales is facing a US-style opioid crisis

From the magazine
In Europe at the end of the Noughties, the problem drug was krokodil. The semi-synthetic, necrosis-causing alternative to heroin was cheap. My father favoured it so much before his death that he started importing it from eastern Europe into Wales. Across the pond right now, the problem drug is fentanyl, which has made its way

Also in Arts Reviews

Also by Lloyd Evans

Latest

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in