Two of Scotland’s most inventive solo musicians: Fergus McCreadie, Maeve Gilchrist + Mr McFall’s Quartet reviewed

Folk is the Schiphol of Scottish music. Eventually, every curious traveller passes through. From arena rockers to rappers, traditional music remains an undeniable source. Which is why the second word in ‘Celtic Connections’ is at least as significant as the first.

Now in its 30th year, lighting up the otherwise unpromising prospect of a Glasgow January, this year’s instalment of the roots festival features artists from all corners of the globe. Many of them would regard folk only as their second or third musical language, rather than the mother tongue.

One of the early highlights makes the point rather beautifully. It’s a homegrown affair, showcasing pianist Fergus McCreadie and harpist Maeve Gilchrist, two of Scotland’s most inventive solo musicians. Performing separate sets with the venerable and fluid chamber ensemble Mr McFall’s String Quartet, both highlight how ingrained folk is to their respective roving styles.

Youth brings its own fresh perspective. The Quartet first performed in 1996; McCreadie was born in ’97. Twice winner of Young Scottish Jazz Musician of the Year, he is already making inroads into the mainstream. His third album, Forest Floor, won the Scottish Album of the Year award in 2022 and was nominated for the Mercury Prize. You can hear why. He’s a pianist with a strong individualistic streak, and I’d imagine that the likes of Keith Jarrett, Glenn Gould, Oscar Peterson and McCoy Tyner rank high on his list of influences; his solo Chopin at the end nodded fondly to Martha Argerich.