Michael Tanner

Verdi without dignity

Simon Boccanegra is distinctive, among all Verdi’s operas, for its darkness of tone, and for abjuring the vitality which, in his other works, the characters display, despite or because of the desperate situations which they are in.

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in